STATUS: OPEN TO WORK
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Creative & Publishing Producer
I ship the content, campaigns, and live-service moments players show up for, pitch to postmortem. PMP-certified, with a background across gaming and agency work.
See the workCreative Production
01 · Singularity 6
Creative Producer
I produced Palia Path end-to-end and led go-to-market support, trailers, marketing material, and earned media, for the game's 10-million-player milestone and the Royal Highlands expansion. I worked directly in Unreal Engine 5 and version control to ship creative assets live in-game.
02 · ZAM
Creative Lead, agency-side
I led production across community, social, and influencer marketing content. I built PUBG MOBILE NA's TikTok and Giphy presence from zero, and owned cost and timeline sign-off on proposals tied to the account's $1M+ annual budget.
03 · ZAM
Technical Director, Livestreams
I was technical director for every livestream on the account. I built NIKKE's regional livestream framework and training guide, still used by vendors more than a year after I left.
04 · Los Angeles
Producer
I set up, shot, and assisted on a console playtest session in Los Angeles: onsite logistics, filming, and creative direction alongside film crews and talent.
05 · LPL
Producer / Editor
I managed daily highlight turnaround, mic checks, localization, captions, and creative direction for this funny moments montage.
Business & Leadership
01 · ZAM & Singularity 6
People, budget & vendor lead
I managed direct reports and a broader production pod, owned budget and timeline sign-off on six- to seven-figure proposals, and ran vendor bid and RFP processes across procurement, fabrication, and live production. I also held direct partner relationships with every major platform holder, including live strike-team response when a release needed same-day fixes.
Game Capture
01 · ZAM, Singularity 6 & S-GAME
Capture & creative direction
I led game capture and video creative direction across PUBG Mobile, Palia, and Phantom Blade: Executioners, four years on PUBG Mobile alone. I trained new hires with real guides, not checklists, and built trailers and memes by hand in Unreal Engine 5. I played at a high enough level myself, Immortal in Valorant, top-ranked in Honor of Kings, to know what a good shot actually looks like before asking a team to capture one.
Clients & Pitch Support
Beyond scoped deliverables, I shape the pitch itself: decks, budgets, and account retention across ongoing and one-off engagements, including work my team didn't directly touch. Companies I've worked with:
Tools & Certificates
I work across the stack, with hands-on fluency in both creative tools and the project management systems that keep the work on schedule.
About
I'm a gamer through and through, competing in Melee for over a decade, running Immortal in Valorant, and topping the ranks in Honor of Kings long before any of it paid the bills. That love of the game is what pulled me into content and production in the first place, and it's the same thing I'm chasing in whatever comes next: work that means something to the player on the other side of the screen.
Japan & language
My in-laws are Japanese, which turned into a real project. I'm currently studying at N5 to N4 level, working toward talking with family without a translator app in the middle.
Racing
I compete in the SoCal 86Cup in a Toyota GR86 (#511). I finished 3rd in class for the 2025 season, with several podiums along the way.
Kirby culture
I'm a big Kirby fan and a repeat visitor of themed cafes, the kind of place where your drink shows up in a beaker.
Coffee & pour-over
I'm an espresso and pour-over enthusiast. Scouting a great local cafe is a non-negotiable stop on every trip.
Contact
I'm open to Creative Producer, Publishing Producer, and Creative Project Manager roles.
Social & Marketing
Cadence, tools, and growth
01 · ZAM & Singularity 6
Channels, Storefronts & Growth
Social, CRM & storefront lead
I grew Palia's posting cadence from a few times a week to daily and led 0-to-1 platform launches, from TikTok and Giphy to storefront pages across every major console. I also managed creative approvals on co-branded campaigns with outside consumer brands, and used an AI-assisted workflow to cut campaign reporting time by roughly 10x.